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A lecture/analysis given by John Rea at the University of Toronto, March 1968, discusses various topics in the composition such as: concepts (performance time, production time, subjective perception of time, moment time, moment characteristics), discussion of particular Moments, hardware, overall formal organization, definition of structure, parameter of space (an example), temporal transformation, and performance practice. The lecture text is also notable for the fact that Rea spoke to the pianist who had premiered Kontakte, David Tudor, who was in Toronto at that time to participate in a four and a half hour ‘happening’ known as Reunion (on March 5, 1968) organized by John Cage, and featuring Marcel Duchamp with whom he played chess on a photo-sensitive electronic chessboard.Conférence donnée par John Rea à l’Université de Toronto en mars 1968. L’auteur y analyse l’oeuvre sous différents angles : aspects conceptuels (temps d’interprétation, temps de réalisation, perception subjective du temps, caractéristiques du concept de Moment), organisation formelle, définition structurelle, paramètres spatiaux, interprétation, etc. Par ailleurs, l’auteur avait pu s’entretenir avec le pianiste David Tudor, interprète de la création de Kontakte, alors à Toronto pour participer à un happening connu sous le titre Reunion (5 mars 1968), organisé par John Cage, qui jouait aux échecs avec Marcel Duchamp sur un échiquier photo-sensible

On Stockhausen’s Kontakte (1959-60) for tape, piano and percussion