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Trois leçons de muséologie rukuba ou le degré zéro de l'esthétique (Nigeria central)À l'occasion de certaines cérémonies, un village rukuba du Nigeria central expose des collections d'objets naturels (pierres, gourdes, fruits sphériques) et fabriqués (tambours, poteries). Ces objets, peints et décorés, servent de support matériel à un discours politique et historique. Les particularités physiques des objets, la façon de les disposer, aident à représenter les relations de supériorité et de subordination rituelles ainsi qu'à indiquer ce qui sera prohibé et ce qui sera autorisé à l'issue des cérémonies. Celles-ci sont célébrées par cinq villages mais un seul d'entre eux utilise des objets décorés pour rehausser l'éclat de ces cérémonies. Ce village en tire un sentiment de supériorité, dénié cependant par les autres villages.Three Lessons in Rukuba Museology or Aesthetics Degree ZeroWhen performing some ceremonies, one Rukuba village (Central Nigeria) exhibits collections of natural objects (stones, gourds, spherical fruits) and man-made objects (drums, potteries). These objects are all decorated and painted; they serve as a material support for a political and historical discourse. The physical characteristics of these objects and the way of displaying them may be used to represent ritual hierarchical relations, and to indicate what will be prohibited or authorized after the completion of the ceremonies. These ceremonies are celebrated by five villages but only one of these villages uses decorated objects. It believes that this aesthetic feature places it in a position of superiority - a superiority which is hotly denied, of course, by the others villages