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The analysis of four translations into English of the late nineteenth-century Indian(Oriya) novel Chha Mana Atha Guntha (literally: Six Acres and Thirty-Two Decimals) showsthat translators, faced with references to specific aspects of the source culture, may use avariety of tactics, including non translation, as a part of their overall strategy. Thechoices translators make not only result in a new text but also construct a new readership,and these choices, texts, and readerships can and do vary. The differences between thetranslations examined reflect the complexity involved in the translation into English, thelanguage of the former colonial power, of Indian-language texts, and the diverse ways inwhich these languages can reinvent their relations in a postcolonial context.Une analyse de quatre traductions vers l'anglais du roman indien Chha Mana Atha Guntha(littéralement : "Six acres et trente-deux décimaux"), paru vers la fin du XIXe siècle,montre que les traducteurs optent pour des stratégies diverses, y compris la non-traduction,lorsqu'ils ont à traiter de certains aspects particuliers à la culture source. Les choix dutraducteur ont pour effet de créer un nouveau texte, mais aussi un nouveau public ; de ceschoix découle donc une variété de textes et de publics. Les différences entre les œuvresexaminées révèlent la complexité de la traduction des textes indiens vers l'anglais, languede l'ancienne puissance coloniale, ainsi que la façon dont ces langues réinventent leursrelations dans un contexte post-colonial

Translating Cultural Difference: Fakir Mohan Senapati's Chha Mana Atha Guntha