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This paper deals with the idea that translation constitutes a reality suigeneris, functioning as a manifold matrix sustaining a relation whose openness cannot be mastered to form a closed system. Drawing from the core intuition of romanticKunstsprache, the argument considers the paradoxical notion of nine Sprache putforth by Walter Benjamin, suggesting that its unsolved implications break towards acritical resistance to any semantic-saturation of the contact between tongues formedby diasporic process: the debt of the translator is an involvement towards a"survival" of this plural disclosure

Pas de deux : le mésocosme de la traduction comme matrice d'une sémantique frontalière