English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

espanolPerfect Blue (1997) es un film de anime (animacion japonesa) dirigido por Kon Satoshi. Este film gira alrededor de una idol (una estrella pop) llamada Mima, quien decide terminar su carrera como idol para convertirse en una actriz y el subsiguiente declive mental que Mima sufre. Este articulo trata el anime como un fenomeno cultural pop con enorme influencia alrededor del mundo y analiza los estereotipos de genero promulgados por ese fenomeno, ademas de proponer una lectura diferente de la obra de Kon. Se examina como los diferentes roles de genero se exhiben en las diferentes versiones: en el original japones y su yakuwarigo o «discurso guionado» (Kinsui y Yamakido 2015) y en las traducciones al ingles estadounidense. La metodologia se basa en la observacion del uso de los pronombres de primera y segunda persona y las particulas utilizadas al final de la oracion del idioma japones, ya que «the use of these features is known to be highly gender-dependent» («se sabe que el uso de estos rasgos linguisticos estan muy ligados al genero del hablante») (Hiramoto 2013: 55). El estudio llega a conclusiones importantes respecto a los roles de genero en la traduccion audiovisual. MultiplePerfect Blue (1997) is an anime (Japanese animation) film directed by Kon Satoshi. The film revolves around a female idol (a pop star) named Mima who quits her career as an idol to become an actress, and how she gradually loses her mind. This article presents anime as an important pop culture phenomenon with a massive influence worldwide. This article examines the gender stereotypes promulgated by this phenomenon and proposes a different reading of the work of Kon by comparing how the gender roles are portrayed in the different versions: The Japanese original and its yakuwarigo or “scripted speech” (Kinsui and Yamakido 2015) and the US English subtitles and dubbing. Methodologically, the analysis relies on close observation of the use of the Japanese first and second person pronouns and sentence-final particles in the characters’ language, since “the use of these features is known to be highly gender-dependent” (Hiramoto 2013: 55). The study comes to important conclusions regarding gender portrayals in audiovisual translation.

Reflections on the translation of gender in Perfect Blue, an anime film by Kon Satoshi