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La conocida novela Beloved ha sido calificada como la «Medea» moderna por la historia de Sethe, su «rebelde» protagonista. En el presente ensayo nos fijaremos en uno de sus personajes, usualmente relegado a un segundo plano: Denver. A lo largo de la historia la joven acomete diferentes actos que van más allá de los límites de su mundo y los cánones sociales. Amiga de un fantasma que se convierte en presencia física rompe la dependencia con su madre, estando dispuesta a matarla por mantener junto a ella al fantasma. Sin embargo, finalmente, es capaz de acabar con todas las ataduras que sufre como joven, negra, hija de esclava, con una madre marcada por la tragedia y habitante de una casa encantada por su hermana fantasma. Denver evoluciona, transgrede, y se convierte en una mujer madura y libre. Nuestro objetivo es poner la mirada en Denver, personaje a la sombra de su madre y del fantasma «resucitado» de su hermana, la propia Beloved. Denver es, también, una transgresora.Beloved is a well-known novel which was called the new «Medea» because of Sethe’s history and herrebel mood. But in this paper we will focused on another character who was usually relegated to thebackground: Denver. Throughout the history the young girl rushes different acts that go beyond the limitsof her world and social standards. She has a ghost as her only friend; a ghost that becomes a physicalpresence, a revenant. Then, Denver breaks her dependence with her mother, after having thought evenin killing her. But finally, she is able to end all facts that makes her suffer as a young, black, slavedaughter, with a mother marked by tragedy and as inhabitant of a haunted house. Denver evolves,transgresses, and becomes a mature and free woman. The aim of this essay is, then, study Denver’stransgression which was being kept in the shadow of her mother and her «resurrected» sister: Beloved

La historia de Denver: transgresiones ocultas a la sombra de Sethe en la obra de Toni Morrison Beloved