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El artículo está centrado en los Apuntes del subsuelo de F. M. Dostoievski. Se aborda la presencia del cuerpo en esta novela breve que marca el punto de inflexión hacia lo que muchos estudiosos han considerado una filosofía trágica en la obra del escritor ruso. La Lección de anatomía del Dr. Joan Deijman, pintada por Rembrandt en 1656, brinda el contrapunto para dilucidar cuál es la concepción de la naturaleza humana que Dostoievski delinea en esta obra. The article focuses on Notes from the Underground by F. M. Dostoevsky. It analyses the presence of the body in this short novel considered by many scholars a turning point in Dostoevsky's career because here begins what has been called the philosophy of tragedy in his work. The Anatomy Lesson of Dr. Joan Deijman, painted by Rembrandt in 1656, offers a counterpoint to elucidate the conception of human nature that Dostoevsky delineates in this work

Dostoievski: una lección de anatomía desde el subsuelo