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Resumen: Bill Viola se asoma al universo de Ibn ʿArabī, bebe de la belleza de sus paradojas y las concreta, a su vez, en enigmaticas paradojas visuales.En este articulo presentamos una reflexion sobre la cualidad simbolica del negro en la obra de Viola y su relacion con el silencio del corazon. Como, desde este silencio interno, se penetra en una dimension lucida de la conciencia, en el intermundo del barzaḫ (mundo imaginal). Las formas de Viola nacen y se diluyen en un Negromaravilloso, Noche de Luz, Negro de la sabiduria que todo lo contiene y en el que se disuelven los colores cambiantes de los estados.Mediante el uso paradojico del tiempo, la luz y el espacio, la obra de Viola induce a una experiencia contemplativa, a un conocimiento por degustacion, que en el sufismo se denomina saboreo (ḏawq). La temporalidad de sus imagenes produce un distanciamiento del tiempo cuantitativo y nos conduce a un silencio interno, lo queIbn ʿArabī denomina silencio del corazon. Las imagenes de Viola nos llevan a habitar esa intensidad luminosa e inabarcable de la Luz negra.Palabras claves: Bill Viola. Negro. Luz. Silencio. Ibn ʿArabī. Imaginacion. Color.Abstract: Bill Viola approaches Ibn ʿArabī’s universe, drinks from the beauty of his paradoxes and he even specifies them in visual enigmatic paradoxes.In the following article, we present a reflection about the symbolic quality of the black color in Viola’s work and the relation it has with the heart’s silence, explaining how, from the inner silence, we seek into a lucid dimension of conscience in the interworld barzaḫ’s interworld (imaginal world). Viola’s figures are born and then areblurred within a marvelous Black, a Light night, a Black of wisdom that contains everything and in which colors of changing states are dissolved.By the paradoxical use of time, light and space, Viola’s work leads to a contemplative experience which is a knowledge related to taste, a sufi term that means tasting (ḏawq). The temporary nature of Viola’s images produces a distancing from quantitative time and it takes us to an inner silence that Ibn ʿArabī calls the heart’s silence. The images bring us to inhabit that bright and immeasurable intensity of the dark Light.Key words: Bill Viola. Light. Silence. Ibn ʿArabī. Imagination. Color.

El silencio del corazón y la negrura del no saber. Resonancias del pensamiento de Ibn ʿArabī en la obra de Bill Viola