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espanolEste articulo analiza como los autores Felicite Herzog y Marina Picasso refutan la imagen publica de su padre y abuello, el excepcional alpinista Maurice Herzog y el gran artista Pablo Picasso en dos ‘‘recits de filiation’’, Un heros y Grand-pere. En primer lugar, demuestro que aunque sus acusaciones revelan un comportamiento cruel de estas figuras famosas con su familia, tambien le ayudan a comprender su sufrimiento durante su infancia. En segundo lugar, demuestro que ambos autores admiten que Maurice Herzog y Pablo Picasso eran victimas de su celebridad y por lo tanto los disculpan en parte. Al final, aunque los autores rechazan la filiacion del hombre corrupto por su celebridad, aceptan la filiacion del padre alpinista excepcional y del abuelo artista novator. EnglishThis paper examines the way in which Felicite Herzog and Marina Picasso challenge the public images of their father and grand-father, the exceptional mountaineer Maurice Herzog and the great artist Pablo Picasso, respectively, in two ‘‘recits de filiation’’, Un Heros and Grand-pere. I first show that while the authors’ accusations unveil a cruel attitude from these two renowned figures towards their relatives, they also act as an outlet to help them understand their own suffering as children. Second, I show that both authors recognize that Maurice Herzog and Pablo Picasso were victims of their fame, therefore partly excusing them. Thus, although the authors reject the filiation of those individuals corrupted by their celebrity, they accept the filiation of a father, an exceptional mountaineer, and a grandfather, the unique painter.

Écriture de soi et de l’autre: Récits de filiation et contestation chez Herzog et Picasso