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RESUMO Este artigo oferece um mapeamento inicial da in uencia de publicacoes argentinas no processo de modernizacao do teatro feito no Nordeste do Brasil, especialmente em Pernambuco, entre as decadas de 1940 e 1960. Examinando referencias bibliogra cas citadas de modo recorrente por Hermilo Borba Filho, decerto o principal mentor do chamado “Teatro do Nordeste”, observa-se como ideias renovadoras advindas da Europa chegaram ao Recife por meios de livros publicados em Buenos Aires, sofrendo assim, naturalmente, interpretacoes e adaptacoes. Palavras-chave: “Teatro do Nordeste”; Argentina; Hermilo Borba Filho ABSTRACT This article offers a preliminary survey on the in uence of Argentinian editions in the modernizing process of the theater done in the Northeast of Brazil, especially in Pernambuco, between the 1940s and the 1960s. By examining the bibliographical references recursively cited by Hermilo Borba Filho, certainly the principal architect of the so-called “Teatro do Nordeste” (Theatre of the Northeast), it is observed how renovating ideas originated in Europe reached Recife through books published in Buenos Aires, being, in this way, naturally mediated and adapted. Keywords: Theatre of the Northeast; Argentina; Hermilo Borba Filho

Entre a Europa e o Recife, a contribuição argentina para o “Teatro do Nordeste”