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Resumen: Este articulo estudia las traducciones de poesia en la revista Cantico a la luz de la era franquista. Se aborda la inclusion de poetas comunistas o socialistas como W. H. Auden, Andre Gide, Louis Aragon y Salvatore Quasimodo analizando tambien la presencia de escritores proximos al fascismo como Giuseppe Ungaretti. Destaca la existencia de poesia religiosa junto a la colaboracion de escritores proximos al regimen de Franco como Joaquin de Entrambasaguas, lo cual se interpreta no solamente como predileccion estetica sino tambien como mecanismos para evitar la censura. La inclusion de poesia catalana y gallega es otro aspecto que permite corroborar la apertura que esta revista aporta al panorama literario espanol. Abstract: This paper studies the translations of poetry in the journal Cantico with reference to the Francoist age. It addresses the inclusion of Communist and Socialist poets like W.H. Auden, Andre Gide, Louis Aragon, and Salvatore Quasimodo also analysing, conversely, the presence of writers sympathetic to fascism, such as Giuseppe Ungaretti. It points out the presence of religious poetry, along with contributions by writers  cosy with the Franco regime, like Joaquin Entrambasaguas, these being interpreted not only as aesthetic predilections, but also maneuvers to avoid censorship. The inclusion of poetry in Catalan and Galician is another aspect evidencing how the journal proved able to foster openness on the Spanish literary scene, despite the censorship to which it was exposed.

EL COMPLEJO ECLECTICISMO DE LAS TRADUCCIONES EN LA REVISTA CÁNTICO COMO FISURAS IDEOLÓGICAS EN LA ÉPOCA DE FRANCO