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Short Theater has become a drama enterprise phenomenon with noteworthy characteristics. The relationships of consumption are much more close, spontaneous and informal. It attracts a type of spectator who usually shuns traditional spaces. This article gives account of the socalled Minimum Theatre, which encompasses a group of actors, directors and playwrights in Seville, between 2012 and 2014. They developed an innovative drama project and were very committed to delve into the socioeconomic and political circumstances of the main years of the last largescale crisis in Spain.

TEATRO MÍNIMO: ¿NECESIDAD DE FORMA O FORMA DE NECESIDAD?