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El presente articulo propone una metodologia de analisis de la narracion ambigua en la ficcion televisiva contemporanea, rasgo estilistico al alza entre propuestas comerciales. A traves de la adaptacion y aplicacion de la comunicabilidad enunciada por David Bordwell como estrategia nar­rativa en su estudio de los modos de narracion cinematograficos a una muestra de series dramaticas de origen anglosajon, se ofrece un primer tratamiento del modo narrativo de lo que desde los estudios televisivos se ha identificado como television compleja. Finalmente, se apunta a la cor­respondencia de este modelo con una nueva fase del modelo de narracion del audiovisual postclasico. The present article proposes a methodology of analysis of the ambiguous narration in contemporary television fiction, a stylistic feature on the rise among commercial titles. Through the adaptation and applica­tion of the communicativeness formulated by David Bordwell as one of the categories of narrative strategies in his examination of the modes of narration in film to a sample of drama series produced in English-speaking regions, we offer a primary approach to the narrative mode of what has come to be known in the field of Television Studies as complex TV. Lastly, we note the correspondence between this model and a new phase of the audiovisual post-classical narration.

La comunicabilidad de lo ambiguo: una propuesta narratológica para el análisis de la ficción televisiva compleja