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En los ultimos anos, redes sociales como Twitter , Instagram y Youtube se han convertido en populares plataformas de publicacion y de difusion de contenidos literarios para jovenes autores. Tanto es asi que no son pocas las editoriales que han visto la oportunidad de convertir en cifras de ventas las cifras de seguidores, revitalizando incluso generos minoritarios como la poesia. Sin embargo, ?estamos verdaderamente ante una “revitalizacion” del genero poetico clasico o de una construccion de nuevas poeticas productivas en red ? Para ilustrar la polemica mercantil y literaria se ha seleccionado un corpus femenino de autoras, puesto que no pueden pasar desapercibidas las oportunidades de visibilizacion y ruptura de topicos que ofrece el nuevo canal a la voz poetica de la mujer.  Over the last few years, social networks such as Twitter, Instagram and Youtube have become popular platforms for the publication and diffusion of literary content among young authors to such an extent that many publishing houses have appreciated the opportunity to convert the number of followers into sales. This is revitalizing minority genres such as poetry. One needs to question, though, whether we are seeing a revival of traditional classical poetry or the birth of a new “internet” genre. To illustrate this literary controversy and the resulting business issues, a corpus of female authors has been selected to demonstrate that these new opportunities for exposure, the breaking of stereotypes should not go unnoticed.

“#quéespoesía”: género y nuevas poéticas productivas en la era de las redes sociales. Las poéticas de Elvira Sastre, Irene X y Loreto Sesma