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El teatro de Pasolini es un teatro documento de inspiracion brechtiana que ha sido malinterpretado como teatro regresivo, por ser conceptualista, elitista, y contradictorio, porque dirigido a la burguesia, que Pasolini, sin embargo, detestaba y queria derrumbar. La relacion aberrante entre Poder e individuo representada en manera traumatica y escandalosa en Salo encuentra su gestacion en la escritura teatral de sus tragedias. Calderon de Pasolini resulta interesante en esta dinamica porque es una sugestiva mezcla de referencias e inspiraciones y un importante modelo de intertextualidad, entre ensayo, piece teatral, happening, ficcion literaria y documental historico. Pasolini's theatre is a documentary theatre inspired by Brecht that has been misinterpreted as regressive theatre, for being conceptualist, elitist, and contradictory, as it was addressing the bourgeoisie which Pasolini, however, hated and wanted to collapse. The aberrant relationship between the Power and the individual represented in a traumatic and shocking way in Salo finds its gestation in the playwriting of his tragedies. Pasolini’s Calderon is interesting in this dynamic because it is an evocative mixture of references and inspirations as well as an important model of intertextuality test among piece theatre, happening, literary fiction and historical documentary.

signa

La deriva documental de la literatura de Pasolini: empleo y actualizaciones de la literatura clásica española del siglo XVII (La vida es sueño) para documentar la realidad italiana del siglo XX