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Galdos's texts have been an undeniable nurturing source in Bunuel's creative process. One of those texts, the novel Tristana (1892), was successively transformed by the filmmaker first in the script format, together with writer Julio Alejandro, and finally in the homonymous film. The present work focuses in the comparative study of these three texts —novel,

La transducción al cine de la novela Tristana: la forma cinematográfica buñueliana