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Este articulo aborda desde una perspectiva feminista la importancia que han tenido las exposiciones a la hora de escribir, consolidar y naturalizar la historia del arte del Pais Vasco de los anos 1950-1975. A partir de una revision que comienza en la decada de los setenta, se estudia cuales han sido las tendencias mas usuales a la hora de presentar a traves de los medios expositivos este pasado artistico y, por tanto, como se relaciona este hecho con la sistematica invisibilizacion que vienen sufriendo desde entonces las artistas que produjeron obra en el periodo senalado. Por ultimo, se cuestiona si con el paso de los anos, las demandas feministas han tenido el impacto deseado en la manera de exhibir este legado historico-artistico o si, por el contrario, todavia quedan tareas pendientes. Abstract This article addresses from a feminist perspective the importance that exhibitions have had in the task of writing, consolidating and naturalizing the history of art in the Basque Country in the years 1950-1975. Based on a review that begins in the 1970s, the text studies the most common trends in presenting this artistic past through exhibitions and, therefore, how this is related to the systematic invisibility that artists who produced work in this period have suffered since then. Finally, it is questioned whether, over the years, feminist demands have had the desired impact on the way this historical-artistic legacy is exhibited or whether, on the contrary, there is still work to be done.

espacio, tiempo y forma. serie vii, historia del arte

El papel de las exposiciones en la escritura de la (androcéntrica) historia del arte del País Vasco = The Role of Exhibitions in the Writing of the (Androcentric) History of Art of the Basque Country