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El conjunto de inscripciones funerarias de la catedral de Roda constituye con sus 225 letreros el obituario en piedra mas importante conocido. El objeto de este articulo es presentar los inicios de una investigacion monografica del conjunto. El taller comienza su actividad entre 1200-1230 para finalizar en ultimas decadas del XIV. Se determinan las distintas etapas del taller epigrafico, asi como las principales manos que intervienen en cada etapa, con especial relieve sobre la grafia del maestro de Roda. Estudiar su genesis, la forma y evolucion de sus grafias es la metodologia a seguir en orden a poner de relieve su valor historiografico. Abstract The epigraphic collection of the cathedral of Roda with its 225 signs makes up the most important stone obituary known. The purpose of this article is to present the initial results of a monographic research of the whole complex. The workshop begins its activity between 1200-1230 to end in the last decades of the fourteenth century. The different stages of the epigraphic workshop will be established as well as the main cutters’ hands involved in each stage, with special emphasis on the script of the Master of Roda. In order to highlight its historical importance, the methodology adopted will include the study of the genesis of the various scripts, as well as their form and evolution.

espacio, tiempo y forma. serie iii, historia medieval

Las inscripciones medievales del claustro de la catedral de Roda de Isábena (Huesca). Aproximación a su taller lapidario = The Medieval Inscriptions of the Cloister of the Cathedral of Roda de Isábena (Huesca). An Initial Look at its Lapidary Workshop