English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article examines mainstream and critical approaches to international criminal law, focusing on not only their metaphorical myth-making regarding the legal legitimacy and jurisdictional origins of the ad hoc bodies, but on a peculiar instance of outright reliance on Greek theater to celebrate the influence of the Nuremberg precedent. The article then traces the evolution of The Eumenides over time in Athenian literature, emphasizing the relation between the early optimism born of the jury trial and the darker undertones that emerge as Athens’ imperial adventures take their toll, as seen in Sophocles’ Ajax and then in Thucydides’ account of the Peloponnesian wars.

From the 'Eumenides' to 'Ajax': The tragedy of international criminal law