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In the search for ways to overcome the negative connotations of applying characteristically traditional practice methods in the current regulation of spatio-visual parameters of the urban environment, we are moving towards discussing alternative 'architecture of relations'. The paper elucidates how film may offer an alternative position in architecture, where urban spaces are thought and designed in closer relation to the potentials of film to manipulate reality, change the mode of perception, provide vision and reconstruct unconscious impulses of the metropolis. The experimental designs show how resonating records of space, time and movement through space may simulate the mapping impulse that inspires an alternative approach to designing spaces. My approach relies upon various knowledge production platforms to detect temporal filiation between cinematic and real space. They are indicated here in the context of postmodern discussions to uncover a new interaction point between cinema and architecture, in order to support time-based modes of reception of architectural and urban ideas.

The cinematic aspect of architecture: The role of time in discussing alternative architectural strategies