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This paper deals with an analysis of the phantasy for orchestra Trinaestozvezdani cvet Kasiopeje [The Thirteen-star Flower of Cassiopeia] by Vladimir Trmčić (1983). Special attention is paid to the motivic analysis of the work and general aesthetical premises of the program, which influenced the formation of the musical flow. The static nature, sustained tones and micropolyphony enable the composer to experiment with time, space, intervals, timbres, resulting in music with an immanent logic guided by the movement of energy masses.

'Harmony of the spheres' in the musical 'vitrage' of 'the thirteen-star flower of Cassiopeia': Micro- and macro-manipulation with time and space