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In this paper, I aim to create a compiled analytical description of electroacoustic works by the untimely deceased composer Vladimir Jovanović, created between 2002, when he was appointed as manager of the Electronic Studio of III program of Radio Belgrade, and 2015, when he left this post. During this time, the author created seven studio compositions, almost exclusively using a computer. Thus, the focus of this paper will be placed on peculiarities of his compositional techniques - especially when working with MIDI and samples. The base for the formation of the narrative about Jovanović's works will be his statements, recorded in a radio interview and program notes he wrote as accompaniment to his compositions, together with the musicological and theoretical writings of Serbian authors.

Pilgrimage through a sound horizon: A guide through the electroacoustic works by Vladimir Jovanović (1956-2016)