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In this essay, I deal with the connections between World War I and the musical style of early Heavy Metal (NM). HM has always dealt thoroughly with the topic of war, sometimes criticizing it, sometimes celebrating it. While World War II is a very frequent, lyrical topic, World War I is definitely less addressed, for a number of reasons. I nevertheless argue that, in spite of this general lack of interest, with such a historical topic early HM shares the ideological perspective of a crisis in the existing systems of values.

A conceptual connection between classic heavy metal and World War I: The case of Iron Maiden's 'Paschendale' and Motôrhead's '1916'