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Three works by contemporary Serbian female composers, although disparate as to the manner of their realization, do have some similarities. An affinity can be perceived by analysing the poetical planes supporting the textual bases of these compositions, as well as their relationships with the musical component. The intersections can be found in the specific attitude towards the subject and the subjects identity, problematized in the librettos, as well as in the issue of the time/space dichotomy within the narrative.

new sound/new sound

Suite 'Jurijev krug' for the opera 'Zvezdani grad' by Dragana Jovanović; Chamber opera 'Ko je ubio princezu Mond?' By Tatjana Milošević; Chamber opera 'Petersburg' by Branka Popović