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The paper is dedicated to the work and research of prof, dr Milena Dragićević Šešić in the field of cultural heritage and memory studies, The paper analyses the key questions, topics and problems dealt with in the work of Dragićević Šešić, contextualising them in relation to the broader socio-political transitions, as well as in relation to the international academic trends in the field of cultural heritage, cultural memory and cultures of resistance. The core research interest of Dragićević Šešić is linked with the critique of ethno-national politics of memory, marginalised and dissonant layers of heritage, heritage and memory of the marginalised groups within patriarchal nationalistic models of heritage, as well as to counter-cultural memorial practices of artistic collectives, lesser known artists and civil society organisations. By analysing the work of Dragićević Šešić in the field of cultural heritage it becomes obvious that the very core of her work is a particular kind of engaged scholarship and academic activism dedicated to non-authorised heritage discourses and memory politics, triggered on the one hand by the socio-political crises of the dissolution of the former Socialist Republic of Yugoslavia, and on the other hand by the engagement with contemporary socially relevant scholarship trends.

Valorising marginalised heritage: Heritage and memory politics in the work of professor doctor Milena Dragićević Šešić