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This essay investigates the stylistic and narratological shifts of the so-called “ciclo do boi”, one of the most popular genres in Brazilian oral poetry, which includes both orally transmitted narratives as Rabicho da Geralda and written and printed “cordel” narratives as Boi Misterioso, by Leandro Gomes de Barros.

Da poesia oral ao cordel: nota sobre a transformação narrativa na poesia popular nordestina