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The exile experience is a trend in recent Brazilian theatre which makes use of mythical themes. Based on The Perverse Trilogy (BENDER, 1986), Ismene , Princess of Thebes (Senna, 2006) and The ‘Carioca’ Olympus (BRANDAO, 2012), this article shows that while ancient myths map questions related to the period in which they return (the immigrant pathos , the politically persecuted individuals, and even the city regarded as the ideal refuge from “Olympic” troubles), they also act as the “tiroir a double entree” mentioned by Espagne (1999, p. 78): they are not mere crossing points between cultures, but they are also triggers of “itineraries of memory” (ESPAGNE, 1999, p. 138).

MITOS GREGOS NO TEATRO BRASILEIRO DOS ÚLTIMOS 30 ANOS