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This article aims to investigate the point of tangency, understood as an important key to understanding, founded between the images that emerge from nature and the notions of melancholy, trauma, memory and love present in the work Sea Without Shore , a film directed by Andre Semenza and Fernanda. The film introduces us to a woman on a Swedish island in the nineteenth century, struggling with the pain of losing her beloved, a work traversed by the reading off of poems by Charles Swinburne and Renee Vivien, as well as an incessant unsteady dance performed all along the feature film, in various landscapes. Therefore, we propose an analysis of the main elements that compose and structure Sea Without Shore .

A instabilidade do ser e do objeto: uma análise de Sea Without Shore