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A popular conclusion to a show was the ‘variety’. That was a concession of course – one visual artist once upbraided me badly for it at the Educational Institute of Vinohrady [Vzdělávací sbor vinohradský], but – well – the gentleman had never been a theatre manager himself and had absolutely no knowledge of children’s nature. A puppet that juggles, walks tightropes, balances a trapeze, throws shots, dances – what a joy for children! Children aren’t and never will be passive objects of an artistic education; if children like juggling puppets, an artist has to come and give the puppets an artistic form and refine the young ones’ taste in that way. Even here it holds that ‘Grey is theory, mere junk, and green is the golden tree of life’ [a quotation from Goethe’s Faust]. (HLOUŠEK 1912)

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Puppet cabaret: visual idioms, performance technologies and the poetics of Czech special puppets in a European context 1850–1950 : (from artistic automata through trick and variety puppets, to puppet cabaret and variety show clowns and acrobats)