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Trencsényi’s first solo publication on the subject of the theory and practice of dramaturgy follows New Dramaturgy: In­ ternational Perspectives on Theory and Prac­ tice, co-edited with Bernadette Cochrane (2014). Advertised as ‘a user’s guide’, the book does what it says on the cover. Capturing dramaturgy in the state of its continual development and flux, the foreword by Geoff Proehl sets the scene, evading the ever-lingering question ‘what is dramaturgy?’. Instead, Trencsényi offers a wellresearched account of examples of dramaturgical practices across Europe and North America, and diachronically maps the development of the practice of dramaturgy from Lessing to contemporary dramaturgy practitioners in text-based theatre; in discovering the historical roots of dramaturgy she even goes as far back as Lucian. Whilst the historical overview is useful, Trencsényi is perhaps too keen on sketching out the history of dramaturgy rather than concentrating on contemporary practice and its implications, however she does attempt to outline the legacy of thinkers and practitioners such as Lessing, or Tynan.

Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners