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The purpose of this article is to discuss, with otherness as an interpretative canvas, how the image of the demon works as a distortion of cultural elements of Prehispanic imaginary in the colonial theatre in Mexico. We also explore how the indigenous world is re-signified in Colloquium of the four kings of Tlaxcala, one of the first theatrical texts of the this period in the New Spain. As a background, this essay introduces some other plays made by Spaniards who immigrated to the New Spain, but the focus is given to the conflict between Cortés as a dramatic character and the “demon” in Cristóbal Gutiérrez de Luna’s play.

Cortés contra el demonio: alteridad en una obra teatral novohispana del siglo XVII