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The center stage of our questioning is now taken up by the “meaning” of manipulating meanings: the issue of style. In analyzing the term, one of the possibilities is to follow Jan Patočka’s discourse in his text called “Art and Time” (PATOČKA 2015, 2004b). This is how he describes the conclusion of a long and transformative journey that art (visual art, in this paper) undertook in the different historical epochs:

Patočka's concept of style and the aesthetic attitude