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O presente artigo pretende analisar o discurso de Alcibiades no dialogo platonico Banquete, evidenciando a forma apaixonada que o discipulo exalta a figura do mestre. Partindo de sua enigmatica chegada no simposio, presenca cheia de significados, procura refletir sobre o seu plano discursivo em que acorda nao elogiar a um deus, como fizera os demais convivas, mas a construcao discursiva de um encomio a um homem em especial, sabio e justo, personificacao mesma do erotismo pedagogicamente instruido: Socrates. Depois da celebracao desse acordo que quebra o linear caminho argumentativo do discurso, busca perceber os elementos elogiosos suplantados no referido logos, que versa a respeito das capacidades fisicas, morais e intelectuais de Socrates. Com efeito, e possivel encontrar um quadro significativamente importante montado por um discipulo (Alcibiades), fazendo uso ate mesmo de imagens como a dos Silenos e dos satiros Marsias, figuras camufladoras que mostram a contradicao entre realidade exterior e realidade interior, com o substancial objetivo de exaltar seu admirado mestre (Socrates) dando-lhe caracteristicas atopicas. PALAVRAS-CHAVE: Eros. Banquete. Filosofia. Elogio. Paixao. ABSTRACT The present article will be analyzed in the speech of Alcibades in the platonic dialogue The Banquet, evidencing a passionate form that the learner exalts the figure of the master: Socrates. Starting from its enigmatic no symposium, presence full of meanings, seeks to reflect on its discursive plan in what follows is not to praise a god, as the other guests had done, but a discursive construction of an encumbrance to a man in particular, wise and fair, personification same of pedagogically learned eroticism: Socrates. After the celebration of this agreement that breaks the linear argumentative path of discourse, seeks to perceive the complimentary elements supplanted in said logos, which deals with the physical, moral and intellectual capacities of Socrates. In fact, it is possible to find a significantly important picture mounted by a disciple (Alcibiades), making use even of images like the one of Silenos and the satyrs Marsias, camouflage figures that show the contradiction between outer reality and inner reality, with the substantial aim of extolling his admired teacher (Socrates) by giving him atopic characteristics. KEY-WORDS: Eros. Banquet. Philosophy. Praise. Passione.

A APAIXONADA EXALTAÇÃO DA FIGURA DE SÓCRATES POR MEIO DO LOGOS DE ALCIBÍADES NO BANQUETE DE PLATÃO.