English (United Kingdom)

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the material culture involved, and provides a welcome dynamism to the analysis; museum collections are perpetually in a state of becoming, growing a shrinking, their meanings changing with each new acquisition and new visitor. The networks too shifted and mutated as gravitational authority and political power changed, and ANT is one way to keep track of the complex dynamic systems and to frame collecting and display as essentially relational phenomena. But then again, conceptualizing collections as “enacted realties” does not always help the reader. One could have written this story without ANT (and perhaps Ruud should not have). But if it is to be used, it should be used as she does: consistently, eloquently and imaginatively, with a very close eye to the primary sources. Crucially, Ruud’s actors include visitors alongside collectors and curators. Travellers came from all over Europe, and took back with them what they learnt in Madrid. They included, for example, the Danish physician Peter Christian Abildgaard, founder of the Danish Veterinary School, who was involved in the Danish Natural Society and who worked for the establishment a Danish National Natural History Museum. And we learn not only who visitors were but also how they behaved, or were expected to. Twice a week the museum was opened to the general populace in their vernacular dress; a soldier was stationed at the entrance, however, better to ensure a tranquil environment – there was an etiquette to museum visiting. Ruud thereby contributes to the cultural history of the relationship between science and sensibility. But at the heart of this work are the objects, and Ruud scatters among the background of 107 ANMELDELSER

Anita Maurstad & Marit Anne Hauan (red.). Museologi på norsk. Universitetsmuseenes gjøren