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espanolEl zeugma es una de las figuras mas caracteristicas del Guzman de Alfarache, y su empleo implica un constante reto para el lector. El estudio de este recurso da cuenta de ciertas preferencias de Mateo Aleman, interesado en deleitar a sus lectores y evitar el tedio que podria derivar de una excesiva repeticion o simetria. Si bien en ocasiones la omision de un termino recuperable en el discurso busca simplemente compensar la dilatacion del periodo, sin que forma y sentido varien (zeugma simple), existe otra vertiente, el zeugma complejo, donde lo omitido presenta modificaciones. Es sobre todo esta ultima la que evidencia tambien una busqueda de la agudeza por parte de Aleman, que despliega su ingenio y confia en el «discreto lector», cuya participacion en el juego retorico es imprescindible para comprender la obra. De este modo, en el presente articulo se pretende exponer las conclusiones extraidas del analisis del zeugma en el Guzman de Alfarache, una obra que conjuga la variedad y el decoro, la amplificatio y la brevitas. EnglishZeugma is one of the most representative and challenging figures of speech in Mateo Aleman’s Guzman de Alfarache. At times Aleman employs this kind of omission for the sole purpose of contrasting the habitual amplitude of the syntax, without making any changes in the omitted term. However, there is another type of zeugma, the complex one, where the missing term presents morphological or semantic variations. The study of this rhetorical mechanism also shows some of Aleman’s stylistic preferences, mainly due to the aim of entertaining the reader and also to the interest in avoiding the tedium that could be caused by the constant repetition or symmetry. This type also evidences the author’s wit, his expressiveness, and his faith in the intelligence of the readers. With all this in mind, the aim of this paper is to present the conclusions drawn from the analysis of the zeugma in the Guzman de Alfarache, a book which combines variatio and decorum, amplificatio and brevitas.

El zeugma en el «Guzmán de Alfarache» de Mateo Alemán