English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article explores aspects of Hinduism in some writings by British writers E.M.Forster and Edward Thompson in the early twentieth century, and tries to read nuance into the Orientalist project of mapping India. Unlike some writers like Kipling who wrote in the period of high imperialism and created colonial and racial stereotypes, Forster and Thompson seem to be aware of the complexities of Hinduism, of a God who can laugh and play. This article discusses Forster and Thompson’s understanding of and views on Hinduism.   

A God Who Can Laugh: Aspects of Hinduism in the Works of E.M Forster and Edward Thompson