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Este artículo trata sobre la representación de la India en los murales de la Exposición Internacional del Golden Gate (1939-1940) de San Francisco y sobre los códigos y ejemplos utilizó su autor, Miguel Covarrubias, para presentar al público norteamericano masivo – que en general presentó poco interés por la India -, los pueblos, el arte, las viviendas y transportes, la flora y la fauna y la economía del subcontinente Indio.This paper deals with the representation of India in the murals at San Francisco’s Golden Gate International Exposition (1939-1940) and the codes and examples used by the author Miguel Covarrubias to show the massive North American audience – generally, poorly interested in India – the people, the Art, the native dwellings and means of transportations, the flora and the fauna and the economy of the Indian subcontinent

India for the Masses: the Typical and the Topical in the Murals at the Golden Gate International Exposition (1939-1940)