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La autora analiza primeramente la diferencia que Nietzsche establece entre los realistas y los poetas. A partir de ahí, fija su concepto dionisíaco de filosofía como arte de la transfiguración. Ariadna se presenta aquí como abogada de aquella tradición filosófica que Nietzsche intenta superar en nombre de Dioniso. El famoso hilo, que una vez guió a Teseo a través del laberinto, ha perdido su fuerza mágica. Se trata de recuperarlo por medio de la voluntad y de la afirmación del cuerpo.The author analyzes the difference that Nietzsche establishes between realists and poets in order to elaborate his dionysiatic concept of philosophy as art of transfiguration. Ariadne appears here as the incarnation of that philosophical tradition that Nietzsche tries to surpass in the name of Dionysius. The famous thread, that once guided Theseus through the labyrinth, has lost its magic power. We have to retriev it again through will and the affirmation of body

Ariadne, a dancing star in heaven. On Nietzsche’s worship of images