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The ballet Coppelia is an adaptation of the short story «The sandman» (1816) by the German writer E.T.A. Hoffmann. This paper aims to show the relationship between two artistic disciplines —ballet and literature— and, more specifically, between Hoffmann’s literary work and Petipa's choreographic work. We will try to explain the process through which the literary text becomes one of the most internationally recognized and prominent ballets, exposing as clearly as possible the convergences and divergences between these two works, which come from different artistic disciplines. El ballet Coppélia es una adaptación del cuento literario del escritor alemán E.T.A. Hoffmann, El hombre de arena (1816). El presente trabajo pretende arrojar luz acerca de la relación existente entre dos disciplinas artísticas -el ballet y la literatura- y, más concretamente, entre la obra literaria de Hoffmann y la obra coreográfica de Petipa. Para ello, trataremos de explicar el proceso a través del cual, el texto literario se transforma en uno de los ballets más reconocidos y destacados a nivel internacional, exponiendo de la forma más clara posible, las convergencias y divergencias existentes entre estas dos obras, pertenecientes a disciplinas artísticas distintas

The Fantastic in the Coppélia Ballet: an Adaptation of «The Sandman» by E.T.A. Hoffman