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El artículo analiza la emergencia del concepto de apego (attachment) y su relación con las transformaciones de la biología inducidas por la Segunda Guerra Mundial y la incorporación de las máquinas de cine en el estudio del desarrollo infantil. Plantea que el trabajo de John Bowlby impulsó una nueva formación discursiva en el que la relación madre/criatura se explica por un sofisticado dispositivo empírico-teórico derivado de una biología renovada, de corte cibernética y militar y por cierta espectacularización de sus verdades a través del uso de las máquinas de cine. Tanto la introducción de los organismos cibernéticos como del cine permiten hipotetizar que el trabajo de Bowlby a la par que configuró una transformación profunda en la construcción discursiva del género y el cuerpo materno, impulsó un proceso de ciborgización de la psicología infantil a través de la cual se difuminaron los límites entre máquinas y seres humanos.This article analyzes the emergence of the theory of attachment and its relation to the biological transformations introduced by Second World War, along with the incorporation of cinematics in developmental psychology. I state that the work of John Bowlby puts forth a new discursive formation in which the relationship mother-creature is explained by a sophisticated empiric/theoretical device derived from a renewed biology, namely military cybernetics. In addition, I contend that this new biology sets up a certain spectacle, through which scientific truth was shown to the public through the cinema. Both the introduction of cyber-organisms as well as the cinema, allows me to analyze Bowlby’s theory, not only as constituting a significant transformation on the discursive construction of gender and the maternal body, but also pushing forward a process of “cyborgization” within the field of developmental psychology which gradually starts to blur the line between humans and machines

Attachment theory and the interfaces between mother’s love, cinematics and ciber-machines