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This article discusses the cinematic productions of Lope de Vega’s Fuenteovejuna directed by AntonioRomán in 1947 and Juan Guerrero Zamora in 1972. The analysis stresses the different use ofliterary adaptation and aesthetic appropriation techniques, according to the ultimate purpose ofadjusting the contents of Lope de Vega’s play to the historical and political hegemonic discourses oftheir respective productions and cinema exhibitions.El presente artículo se centra en el estudio de las producciones cinematográficas de Fuenteovejuna realizadas por Antonio Román en 1947 y Juan Guerrero Zamora en 1972. El análisis subraya la utilización en cada una de ellas de distintas técnicas de la adaptación literaria y de la apropiación estética cuya finalidad última es la de ajustar los contenidos del texto de Lope de Vega a los discursos políticos hegemónicos del momento de sus respectivas producción y exhibición comercial

(Trans)national «Fuenteovejuna»: from Hegemonic Discourses to Aesthetic Appropriation in Antonio Román and Juan Guerrero Zamora