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This paper aims to presente the conceptual proposition to ID: contemporary portraits exhibition, which dialogues between Mario de Andrade’s photographs, taken in the 20s and contemporary portraits, discussing the relations of imagem production and memory.

domínios da imagem

Deslocamentos de narrativas visuais: o arquivo fotográfico de Mário de Andrade como construtor do processo conceitual da exposição ID: retratos contemporâneos