English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others

Imagens documentais: subjetividades est(éticas) e (a)políticas