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This article discusses the use of lyrical, musical and visual self-quotations in the works of DDT, one of the most important Russian rock bands. After the collapse of the USSR, the legacy of the Soviet rock movement has been the object of a nostalgic approach, both by its protagonists as individuals and by the society as a whole. Supported by different methodological approaches (Genette 1997; Yurchak 2003, 2005; Boym 2001; Chion 2016;, Veselovsky 2006), the author examines how Yury Shevchuk, DDT’s leader, uses self-quotation as an artistic tool to re-interpret the past: his own past, and at the same time the past of the country. Self-quotations can also act as a kind of dialogue between the author and society, helping us to understand the role of intertextuality in popular music, and to position it in the cultural field between the individual and the social.

Self-quotation as Reinterpretation of the Past in the Russian Rock Band DDT