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The Purpose of the study is to identify the aesthetic of anxiety and horror in Roman Polanski`s films, focusing on , , and . Polanski`s films, of which main concern lies in veritable human under the circumstance of the closed space which is stained violence and horror, present a tendency of instability and brute force in the same age and individual`s enervation and solitude isolated from the value of society. Eventually, it steadily deals with the origin horror of being. In this study, I analyzed Polanski`s special feature of directing centering on three facters, such as visual storytelling, space design of isolation and enervation, and accompanying sight as a visual point of suspense. The style of Polanski`s films, based on the classical priciple for suspense construction and variegated image making, shows that the incapable individual`s awkward suffered in the closed circumstance, the strength of horror from the unknowable outside, and human`s belief broken by brutal violence. These commonly connect to the theme of Roman Polanski`s films.

Aesthetic of Anxiety and Horror in Roman Polanski's Films -focusing on ＜ Rosemary' baby ＞, ＜ Chinatown ＞, ＜ Ghost Writer ＞