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Analysed the landscape works of V. Mykyta second half of the 1950s - early 1970s, considered the stylistic influence, especially figurative and plastic language, the emergence of the concept of «symbolic landscape» in the artist's work. It was found that in the early masters of the search landscape stands out quite a few distinct periods associated with: a reflection of the specific natural motifs, seasons or days (second half of the 1950 s.); incarnation in the states of nature of certain abstract concepts (1963-1965 gg.); advent-epic paintings of landscapes, the formation of «symbolic» landscape concept at the turn of 1960-1970-ies. It is proved that the stylistic evolution of the artist's impressionistic-measured plain-air hobbies (second half of the 1950 s.); mastery of post-Impressionists experience and perception Manaylos neofolklor (first floor – the mid-1960s.); free movement in the space of artistic experimentation, the use of forms that best reveal the artistic design at the turn of 1960-1970-ies

Становлення концепції «символьного пейзажу» у творчості Володимира Микити другої половини 1950 – початку 1970-х рр.