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In the article the scientific reconstruction of Z. Sholtes’s artistic concepts is conducted. Its role and place in the history of Ukrainian art is revealed. The creative legacy of the artist is explored, therefore, the aspects that can extend the perception of the master not only as a representant of Transcarpathian school of painting, but also as a creative self-sufficient person with its own artistic program and a unique method are detected. The landscape was a priority of Z. Sholtes. However, his work in a wider range of genres on local topics is considered. The article analyzes the features of the method and creative artistic language in portrait and genre, still life, urban landscapes, works on sacred themes and landscapes in different periods. It was revealed that a major factor in the education of Z. Sholtes, in addition to his training in Y. Bokshay and A. Erdeli was open-air experience that helped to shape the author's original handwriting of the artist. This is a special method in the interpretation of spatial relationships of individual elements and groups of landscape, rich palette of expressive means of plastic and coloristic experiments

Значення творчого досвіду Золтана Шолтеса для історії українського образотворчого мистецтва