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The article is devoted to understanding of the art text psychologism as linguistic problem. The tendency to creation by writers the psychologically stipulated situations predetermines emergence of a certain language expression which, in turn, is a basis of the psychological text. The purpose of article is differentiation of the linguistic studying ways of the psychologism in the art context in aspect of a diachronism and synchronism and definition of basic language means which form the psychological intensity of the art context. The history of the psychologism research begins with emergence of scientific thoughts of O. Potebnia about communication of language and thinking and such scientists as D. Ovsyaniko-Kulikovskyi, V. Shklovskyi, V. Zhirmunskyi, M. Bakhtin, O. Biletskyi, L. Bulakhovskyi, O. Vinokur continue to investigate this aspect. The main attributes of the psychological image descriptions in the text are internal state of heroes, their experiences and emotions according to the scientists’ point of view. At the language level such ideologically semantic installation is usually presented by means of metaphors, comparisons, repetitions, inversions, dialogues, use of the emotionally expressional lexis and images of situations in which the hero’s inner world is presented with the help of gestures, mimicry and his behavior

ПСИХОЛОГІЗМ ХУДОЖНЬОГО ТЕКСТУ В КОНТЕКСТІ ЛІНГВІСТИЧНИХ КОНЦЕПЦІЙ