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The paper analyses three concepts of aesthetics of arts in Slovak aesthetics in the first third of the 19th century based on the ideas of three Slovak authors (Michal Greguš, Andrej Vandrák and Karol Kuzmány) who all shared creative reading of Kant and transformation of the process of “harmonization” as a foundation of defining possible aesthetic potentiality of art

Concepts of “Aesthetics of Arts” in Slovak Aesthetics of the 19th Century and Kant’s Conception of “Harmonization”