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My concern in this chapter is not to explore the direct parallel case of bystander videos of dramatic events and how they are shared. My interest is in a form of home movie that has a longer history: the tourist's holiday movie. Its extended lineage usefully downplays what might otherwise seem, from the account above, like an epochal transformation in the sharing of experiences. However there is still novelty here too in that I want to examine the convergence of adventure tourism and videos produced in and from those adventures. Unlike Ethel who, as an ordinary person with a concern with ordinariness (Sacks, 1984), happened upon a grim car crash, adventure tourists are a contemporary form of Simmel's adventurer  who goes in search of experiences that have 'something alien, untouchable, out of the ordinary' (Simmel, 2013). There is a desire to participate in and produce the extraordinary and to escape both the job of 'doing being ordinary' and the way of reporting on experiences that accompanies it (Sacks, 1984)

Owning and sharing experiences of adventure: tourism, video and editing practices